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The New York Times

The New York Times  at george magazine

You probably expect plenty of slicing and dicing in “Deadpool & Wolverine.,” also plenty of irreverence. But what you might not expect is a quiet, softer moment of reflection. This scene, narrated by the film’s director, Shawn Levy, offers exactly that.

Featuring Ryan Reynolds and Hugh Jackman, the sequence takes place in the Void, an environmental dumping ground of sorts where the refuse of various timelines is discarded, and where Deadpool and Wolverine find themselves. They come across an empty retro diner and go inside.

“It’s a pause along the journey,” Levy said in an extended interview, “and it’s the first meaty and substantial dialogue scene between the two characters, one of whom is famously motor-mouthed, the other of whom is famously laconic and internal.”

“This has always been one of Ryan’s and my favorite scenes from the moment we wrote it,” Levy continued, “because it puts two iconic antiheroes in this incredibly generic trope of the Americana road movie. So the mismatch of these visuals, two superheroes sitting in a booth in a ’50s diner while Patsy Cline plays on the jukebox — that was a thrill.”

Read the New York Times review: https://nyti.ms/3YlrdCi
Subscribe: http://bit.ly/U8Ys7n
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.

YouTube Video VVVxbmJERmRDcHVOOENNRWcwVnVFQnFBLkJGVmZIaEkxYTVZ

Watch a Diner Chat in ‘Deadpool & Wolverine’ | Anatomy of a Scene

The New York Times 7 hours ago

The New York Times  at george magazine

A grungy, empty pool becomes a motel’s greatest asset in this harrowing sequence from “Twisters.”

The storm chasers Kate (Daisy Edgar-Jones) and Tyler (Glen Powell) find themselves in a predicament when a tornado descends on a motel and the two must lead a group to safety. They head to the drained pool to stay out of the tornado’s path, along the way dodging debris that includes a soda machine and a trailer.

Much of the sequence gives the impression of a one-take shot, although it was stitched from different takes to best incorporate its visual effects. Those effects are a mix of the practical — one stunt performer was whisked 60 feet in the air — and the digital.

“I really wanted to film a night tornado,” Chung said, narrating the scene, “because growing up around Tornado Alley, the night tornadoes were always the most frightening.”

He said the intent of the scene and shooting it in this frantic, hand-held manner was to create “that subjective feeling of what it’s like to experience a tornado in real time.”

Chung said that while filming his cast inside the swimming pool, crew members were destroying the set outside, so as the scene ends and the characters emerge, they are seeing a damaged version of the set they hadn't seen going in.

Read the New York Times review: https://nyti.ms/3y2mRVQ
Subscribe: http://bit.ly/U8Ys7n
More from The New York Times Video: http://nytimes.com/video
----------
Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.

YouTube Video VVVxbmJERmRDcHVOOENNRWcwVnVFQnFBLjAyZzk4OS1ia2lr

How ‘Twisters’ Destroys a Motel | Anatomy of a Scene

The New York Times July 19, 2024 3:00 pm

The New York Times  at george magazine

This is a clip from episode 91 of Hard Fork https://youtu.be/2OxKfNZp6RA?si=KQIrsUNmWiztbrTG

Throw down a picnic blanket, and grab some snacks and drinks: It’s time for some Hard Questions with the food writer, YouTuber and podcaster Alison Roman. We tackle quandaries like, Should you sign away your children’s image rights in order to get them into your preferred day care? Is hacking people for fun ever OK? And does it matter if we’re rude to our digital assistants?

Guest:
Alison Roman, cook, writer and author.
https://www.alisoneroman.com/


Additional Reading:
Why Deleting Your Period Tracker Won’t Protect Your Privacy
https://www.nytimes.com/2022/06/30/technology/period-tracker-privacy-abortion.html


Dilly Bean Stew With Cabbage and Frizzled Onions
https://www.alisoneroman.com/recipes/dilly-bean-stew-with-cabbage-and-frizzled-onions





Hard Fork is a weekly look into the future that's already here. Hosts Kevin Roose and Casey Newton explore stories from the bleeding edge of tech.
Casey’s publication, Platformer: https://www.platformer.news/


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Credits
“Hard Fork” is hosted by Kevin Roose and Casey Newton. Produced by Rachel Cohn and Whitney Jones . Edited by Jen Poyant. Engineering by Alyssa Moxley and original music by Dan Powell, Elisheba Ittoop and Marion Lozano. Our audience is Nell Gallogly. Video production by Ryan Manning and Dylan Bergeson. Podcast Art & Animations by Julian Hespenheide. Additional Motion graphics by Phil Robibero.Thumbnails by Julia Moburg, Elizabeth Bristow, and Harshal Duddalwar
Special thanks to Paula Szuchman, Pui-Wing Tam, Nell Gallogly, Kate LoPresti and Jeffrey Miranda.

YouTube Video VVVxbmJERmRDcHVOOENNRWcwVnVFQnFBLjRvVlRCNGdhbm9Z

Alison Roman Answers Your Tech Questions | Hard Fork Podcast

The New York Times July 12, 2024 7:46 pm

Here's How Biden Loses Michigan | NYT Opinion

The New York Times July 12, 2024 5:15 pm

These Michigan Voters Could Cost Biden the Election | NYT Opinion

The New York Times July 12, 2024 5:00 pm

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