In “Tootsie,” “After Hours” and other films, she played truly unhinged characters while also layering in sadness or drama.
In “Tootsie,” Teri Garr perfected the polite way to say you had a bad time at a party. Bidding a friend good night, her character, a struggling actress named Sandy, tells him, “It was a wonderful party, my date left with someone else, I had a lot of fun, do you have any seconal?”
She sounds sunny as she’s saying all this and barely takes a breath. It’s a master class in comedic despair.
Garr, who died on Tuesday at 79 from complications of multiple sclerosis, turned the neurotic basket case into an art form. On paper a Teri Garr role could be written off as a daffy blonde, but in her hands she gave these women depth and made them entrancingly funny.
Garr came from a show business family — her father was a vaudevillian, and she arguably inherited that can-do spirit of performing. Though she had appeared in a number of television shows and films throughout the 1960s, including as a dancer in multiple Elvis flicks, she was introduced to most audiences in Mel Brooks’s “Young Frankenstein” (1974, not currently streaming), playing Inga, the laboratory assistant to Gene Wilder’s Frederick Frankenstein. (Don’t mispronounce it.)
Brooks first presents her lying in the back of a hay wagon. She’s beautiful and busty, but immediately lands her first punchline.
“Hello,” she says seductively, in her ostensibly Transylvanian accent. “Would you like to have a roll in the hay?” Wilder pauses, taken aback by her apparent forward proposition. She interjects, brightly. “It’s fun!” She starts flinging her body around, singing, “Roll, roll, roll in the hay.” She doesn’t mean the sexual innuendo — or maybe she does.
